It’s hard to overstate the singular appeal of Godzilla—a franchise born in the rubble of postwar Japan that has somehow grown into one of the most enduring cultural exports of the modern era. Over nearly seventy years, this massive, lumbering creature has become a strangely versatile symbol, capable of embodying everything from nuclear fear to environmental collapse to the sheer absurd joy of watching monsters pulverize cities. What began as a stark, almost mournful allegory for the destruction wrought by atomic weapons has become a sprawling cinematic ecosystem—equal parts parable and spectacle.
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